I usually enjoy AC Grayling, but I'm a bit puzzled by his letter to the Guardian. It may help to bear in mind that my undergraduate degree is from UC Irvine, for many years the home of all things Derridean--including, for a quarter each year, Derrida himself. Deconstructionist criticism in its "purest" form, if there was such a thing, often had remarkably little to say about gender, race, national identity, or anything else that sounded vaguely historicist. In its applied American form, it generally amounted to hyper-intensified close reading, a practice more amenable to discussions of metafiction than to feminism. Language was the big thing, not cultural criticism. Moreover, because it was in so many ways (again, in its applied American form) a souped-up New Criticism, deconstructionism tended to emphasize not the non-canonical but the very canonical indeed. That is, deconstructionist critics tended to go for the jugular of literary works with already-proven pedigrees in the area of complexity. Anyone who wandered through the UCI English Department's assigned readings in the bookstore during the late 80s or early 90s would have noticed just how "traditional" the reading assignments were. (I can still recall, with some exasperation, Andrzej Warminski's suggestion in the student paper that we shouldn't toss the canon--just deconstruct it. This prompted one of my few forays into the world of letters to the editor.) By contrast, the far more literary-historical faculty at the University of Chicago assigned a much wider range of works. Now, other people seized on deconstructionist techniques to shore up their own particular projects, including the project of dismantling the canon--the "postmodern allies" of whom Grayling speaks--but the deconstructionists pure and simple tended to fixate on literature's self-reflexive qualities. Postcolonial theorists, feminists, Foucauldians, historicists of various stripes, and so forth, all seem to suit Grayling's bill rather better, but many of them have had a few bones to pick with Derrida; one thinks of early complaints from specialists in African-American literature.
UPDATE: Oh, and before anyone jumps on me, I'm a big fan of close reading, and by "remarkably little" I don't mean "there should have been a lot."
I'm not particulary engaged with JD's work, but the number of hostile articles and comments on his death that conflated deconstruction, postmodernism, identity politics, postcolonialism, epistemic relativism, moral relativism, etc, etc, motivated me to sign the letter of protest to the New York Times after it had run two articles blaming Derrida for all the world's ills. Thank you Miriam, for having cut through the confusion with this entry.
Posted by: Josh Lukin | October 16, 2004 at 11:14 PM
Warminski was perhaps the most antagonistic and polemical of de Man's students, and his making statements for effect was not altogether unexpected, especially during your undergraduate/my graduate years at UCI. I think that the phenomenon of the selection of canonical texts upon which to perform rhetorical readings owes something to that spirit of the provocateur: "Look, it's *your* canon, and look what *we* found!" If the texts were unimportant to the reader's predecessors, the spirit of controversy was lost.
Posted by: Jonathan K. Cohen | April 21, 2005 at 10:30 PM