Some people were asking about what "The Curious Case of the Adapted Detective" looks like, so here it is. Bear in mind that this is my department's upper-division theory seminar, so that the post-Doyle Holmes universe becomes a case study for talking about adaptation, appropriation, and the sometimes exceptionally fuzzy line between the two. Because of in-class tech constraints, we're dealing with fairly conventional media--novels, film, TV--but the students have leeway to research Whatever They Want, which, when it comes to Sherlock Holmes, is a stunningly wide range of material...
Given the immense quantities of Holmes out there, and the necessity of giving the students ample time to prep and discuss the secondary texts, I had to make some v. sad decisions--chief among them being that I wound up eliminating the RDJ/Law Holmes (OK, I don't actually like the films as Holmes films, but they're significant in terms of certain trends). Ultimately, for pedagogical purposes, I opted for a straight run of variants on the Hound, giving us a baseline for comparison.
The class assumes no prior knowledge of the original stories. The literary pastiches come in groups: two very different (and either bleak or sardonic) accounts of how the Holmes/Watson partnership "ended"; two attempts to rethink Holmes and his methods in the context of WWII and the Holocaust; and two more...unusual...takes on the canon.
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WEEK 1 (1/28) |
Introduction and tour A Study in Scarlet |
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WEEK 2 (2/4) |
“A Scandal in Bohemia,” “The Five Orange Pips," “The Speckled Band,” “The Engineer’s Thumb” (Adventures) Leslie Haynsworth, “Sensational Adventures: Sherlock Holmes and His Generic Past” (Project Muse) Hound of the Baskervilles |
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WEEK 3 (2/11) |
Hound of the Baskervilles Watch “A Scandal in Bohemia” ($1.99 on Amazon Instant Video, or you may borrow DVD from me); Hutcheon, Theory of Adaptation, ch. 1 1st group presents: Hutcheon, ch. 2 |
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WEEK 4 (2/18) |
Hound of the Baskervilles (1939) Short paper due 2/22 |
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WEEK 5 (2/25) |
2nd group presents: McFarlane, Novel to Film, Pt. I Dibdin, Last Sherlock Holmes Story 3rd group presents: Sanders, Adaptation and Appropriation, chs. 2, 7 |
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WEEK 6 (3/4) |
Dibdin, Last Sherlock Holmes Story Marowitz, Sherlock’s Last Case |
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WEEK 7 (3/11) |
Individual meetings with instructor; prospectus due 3/15 |
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WEEK 8 (3/18)—Spring break |
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WEEK 9 (3/25) |
Chabon, The Final Solution 4th group presents: Stef Craps and Gert Buelens, “Traumatic Mirrorings: Holocaust and Colonial Trauma in Michael Chabon’s The Final Solution” (Project Muse) Research discussion day—post queries and finds to the Wiki Annotated bibliography due 3/29 |
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WEEK 10 (4/1) |
Cullin, A Slight Trick of the Mind |
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WEEK 11 (4/8) |
Vote by 4/1: watch EITHER the Livanov Hound of the Baskervilles OR the Brett Hound of the Baskervilles, both available on Amazon 5th group presents: Neil Caw, Adapting Detective Fiction: Crime, Englishness and the TV Detectives, ch. 2 (eBrary) |
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WEEK 12 (4/15) |
Watch The Hounds of Baskerville from Sherlock, season 2, available on Amazon 6th group presents: Balaka Basu, “Sherlock and the (Re)Invention of Modernity,” Sherlock and Transmedia Fandom (eBooks Library) Read through the fictional “blogs” and “tweets” by the Sherlock characters: http://www.bbc.co.uk/programmes/b018ttws/features/disclaimer Newman, The Hound of the D’Urbervilles, “Preface,” “A Volume in Vermilion” |
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WEEK 13 (4/22) |
Newman, The Hound of the D’Urbervilles, title story Gaiman, “A Study in Emerald” (http://www.neilgaiman.com/p/Cool_Stuff/Short_Stories) Research presentations |
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WEEK 14 (4/29) |
Research presentations |
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WEEK 15 (5/6) |
Research presentations Final reflections and individual conferencing Research projects due Monday of finals week |